℗ 2021 Charles Owen
Released | September 17, 2021 |
Duration | 1h 07m 43s |
Record Label | AVIE Records |
Catalogue No. | AV2476 |
Genre | Classical (Keyboard) |
Liszt: Années de pèlerinage, Suisse Bénédiction de Dieu dans la solitude
Charles Owen
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
Années de pèlerinage, Première année, Suisse, S. 160
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1.1
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1. Chapelle de Guillaume Tell
Franz Liszt; Charles Owen |
5:30 | |||
1.2
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2. Au lac de Wallenstadt
Franz Liszt; Charles Owen |
3:50 | |||
1.3
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3. Pastorale
Franz Liszt; Charles Owen |
1:51 | |||
1.4
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4. Au bord d'une source
Franz Liszt; Charles Owen |
4:34 | |||
1.5
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5. Orage
Franz Liszt; Charles Owen |
4:39 | |||
1.6
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6. Vallée d'Obermann
Franz Liszt; Charles Owen |
14:30 | |||
1.7
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7. Eglogue
Franz Liszt; Charles Owen |
3:21 | |||
1.8
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8. Le mal du pays (Heimweh)
Franz Liszt; Charles Owen |
5:43 | |||
1.9
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9. Les cloches de Genève: Nocturne
Franz Liszt; Charles Owen |
6:13 | |||
1.10
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Harmonies Poétiques Et Religieuses, G. 153
Franz Liszt; Charles Owen |
17:32 |
With his critically acclaimed AVIE Records releases of music by Johann Sebastian Bach, Johannes Brahms, Gabriel Fauré and Sergei Rachmaninov to his credit, the celebrated British pianist Charles Owen scales the heights of Franz Liszt’s anthology Années de pèlerinage, Première année: Suisse (“Years of Travel, First Year: Switzerland”), which evokes the great 19th-century pianist-composer’s Swiss sojourns with aural impressions of the Alpine landscape, its peaks and valleys, mountains and streams, and the country’s distinctive folk music. Literary references abound as they do in the album’s concluding piece, the emotional Bénédiction de Dieu dans la solitude (“The Blessing of God in Solitude”) which was inspired by a poem penned by Liszt’s friend Alphonse de Lamartine. Emotions ran equally high for Charles Owen who turned to Liszt during lockdown. The uncertainty of being homebound throughout the pandemic was eased by the extra meaning and solace of the composer’s evocations of journeying, experiencing the natural world and its sense of beauty and liberation.
192 kHz / 24-bit PCM – AVIE Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.54 -9.02 to -0.30 | -25.25 -28.66 to -18.24 | -21.67 -26.00 to -15.20 | 14 11 to 15 | |
1 | 1. Chapelle de Guillaume Tell | -0.47 | -21.42 | -17.9 | 14 |
2 | 2. Au lac de Wallenstadt | -8.50 | -28.66 | -26.0 | 13 |
3 | 3. Pastorale | -9.02 | -27.02 | -23.9 | 11 |
4 | 4. Au bord d'une source | -4.53 | -25.84 | -22.3 | 13 |
5 | 5. Orage | -0.30 | -18.24 | -15.2 | 12 |
6 | 6. Vallée d'Obermann | -0.34 | -22.85 | -18.5 | 13 |
7 | 7. Eglogue | -4.03 | -27.21 | -24.1 | 15 |
8 | 8. Le mal du pays (Heimweh) | -4.28 | -28.50 | -24.5 | 15 |
9 | 9. Les cloches de Genève: Nocturne | -3.10 | -26.39 | -21.6 | 14 |
10 | Harmonies Poétiques Et Religieuses, G. 153 | -0.83 | -26.35 | -22.7 | 15 |