℗ 2021 UMG Recordings; A Mercury Nashville Release
| Released | August 20, 2021 |
| Duration | 35m 35s |
| Record Label | Mercury Nashville |
| Genre | Country |
Glasshouse Children
Sam Williams
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Glasshouse Children
Sam Williams |
4:04 | |||
|
1.2
|
Happy All The Time (feat. Dolly Parton)
Sam Williams; Dolly Parton |
3:41 | |||
|
1.3
|
Can't Fool Your Own Blood
Sam Williams |
4:10 | |||
|
1.4
|
Bulleit Blues
Sam Williams |
1:32 | |||
|
1.5
|
10-4
Sam Williams |
3:17 | |||
|
1.6
|
Wild Girl
Sam Williams |
3:21 | |||
|
1.7
|
Kids (feat. Keith Urban)
Sam Williams; Keith Urban |
3:57 | |||
|
1.8
|
Shuteye
Sam Williams |
3:51 | |||
|
1.9
|
Hopeless Romanticism EXPLICIT
Sam Williams |
3:52 | |||
|
The World
|
|||||
|
1.10
|
Alone
Sam Williams |
3:50 | |||
The grandson of country pioneer Hank Williams and the son of outlaw legend Hank Jr., Sam Williams is the latest in a long line of American originals, but he’s not here for the sake of tradition or legacy. He sings with his own singular voice and he writes in his own singular style, fusing gut-wrenching honesty and plainspoken poetics with raw vulnerability and deep empathy. His songs are lush and cinematic, influenced as much by modern pop as classic country, and they grapple with the kind of profound, revelatory introspection that belies their author’s young age.
At just 22, Williams has already been through a lifetime of struggle and heartbreak—Glasshouse Children took on new meaning shortly after completion, when Williams’ beloved sister, Katie, was tragically killed in a car wreck—and he comes across as an old soul on the album, a gentle, sensitive seeker searching for his place in a cold, hard world.
96 kHz / 24-bit PCM – Mercury Nashville Studio Masters
Tracks 5, 9, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 8 – 44.1 kHz / 24-bit PCM Tracks 1-4, 7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 7 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 5, 9, 10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 8 – 44.1 kHz / 24-bit PCM Tracks 1-4, 7 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 7 – contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.36 -0.55 to -0.30 | -12.17 -15.61 to -10.57 | -9.36 -11.50 to -7.90 | 7 5 to 9 | |
| 1 | Glasshouse Children | -0.34 | -12.50 | -10.1 | 7 |
| 2 | Happy All The Time (feat. Dolly Parton) | -0.35 | -13.81 | -11.3 | 9 |
| 3 | Can't Fool Your Own Blood | -0.35 | -14.00 | -10.6 | 8 |
| 4 | Bulleit Blues | -0.34 | -15.61 | -11.5 | 9 |
| 5 | 10-4 | -0.35 | -10.97 | -8.2 | 6 |
| 6 | Wild Girl | -0.35 | -10.66 | -7.9 | 6 |
| 7 | Kids (feat. Keith Urban) | -0.35 | -10.57 | -8.0 | 5 |
| 8 | Shuteye | -0.55 | -10.91 | -8.3 | 6 |
| 9 | Hopeless Romanticism | -0.35 | -11.31 | -8.5 | 6 |
| 10 | Alone | -0.30 | -11.38 | -9.2 | 7 |